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・ Fromentières, Marne
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・ From the Sky Down
・ From the Snow
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・ From the Soul (Joe Lovano album)
・ From the Soul of Man
・ From the Sounds Inside
・ From the Tea-rooms of Mars ....
・ From the Teeth of Angels
・ From the Terrace
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・ From the Top (album)
・ From the Top Down
・ From the Towers of the Moon
From the Tropics to the Snow
・ From the Underground and Below
・ From the Valley to the Stars
・ From the Vault
・ From the Vault (Spock's Beard album)
・ From the Vaults (Nazareth album)
・ From the Vaults (The Beau Brummels album)
・ From the Vaults, Vol. 1
・ From the Very Depths
・ From the Village to the City
・ From the Vine Came the Grape
・ From the Waist Up
・ From the Westside with Love, II
・ From the Witchwood
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From the Tropics to the Snow : ウィキペディア英語版
From the Tropics to the Snow

''From the Tropics to the Snow'' is a 1964 Australian documentary film. It was one of the best known Australian films of the 1960s.〔(''From the Tropics to the Snow'' ) at ''A Place to Think''〕 It was produced under the auspices of the Commonwealth Film Unit (CFU), later reincorporated as Film Australia. It was co-directed by Jack Lee and Richard (Dick) Mason, and featured a young Reg Livermore (in his first film role) as one of the 'narrators'.
One of the regular duties of the CFU at this time was the production of short films that were purpose-made for overseas distribution and were intended to promote Australia as an attractive destination for migrants and tourists. ''From the Tropics to the Snow'' marked a significant break with the traditional style of such features, and is noted for its subversive and satirical approach to its subject.
Rather than using the stilted, authoritative single-voice narration that was typical of such 'promotion documentaries' at the time, Mason and Lee opted for a strikingly reflexive approach, using a lively (and frequently tongue-in-cheek) multi-voice narration, which is introduced through the dramatic device of a production planning meeting between the film's Producer-in-Chief (Alexander Archdale), the director (Alastair Smart) and the screenwriter (Livermore). This allowed the film to become an ironic critique of itself, humorously examining the mechanics of "documentary" film construction, and the competing pressures and choices that faced filmmakers when creating such films. It also gently parodied Lee and Mason's own situation as "young turks" charged with turning out what were in essence "production-line" propaganda films for a hidebound government department.〔(ABC - "A Place To Think: From the Tropics to the Snow" )〕
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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